More about that guy I sometimes go on about.
Two years ago I wrote that I would be afraid of running around screaming "Robyn Hitchcock is friggin' awesome!!," as there was every chance that I'd suddenly discover that he actually wasn't that good, and so would "find myself severely embaressed [sic] in a month or two." Apparently I couldn't spell two years ago.
Well two years later I'm still completely in the thrall of this artist, and continue to find new, excellent music by him (most recently devouring his early work with The Soft Boys). He is easily, if last.fm is to believed, which it may as well be, my most-listened-to artist since I learned of his existance. Existence. Apprently I still can't spell.
In 2009 I wrote "I wouldn't exactly recommend Robyn Hitchcock to anyone that I know. I like a lot of his music, but I can't straightforwardly see any reason that anyone-in-particular else should."
In 2010... I suppose I mostly still think this is true. He often seems to fit into this certain niche of music such that no one I know really enjoys that type of music as much as I do, namely the folky niche and the poppy niche. Still... Still... I suppose I still feel this urge to put some kind of recommendation out there, a general recommendation, a registration for posterity that this music is incredible, just so no one can turn to me in 2015 and ask "Why did you not warn me earlier, why did you deprive me of this for the last five years?"
Of course, then there's the problem of what to recommend. His output is pretty diverse in style and (sometimes) quality, though usually on the spectrum between poppy and folky, and usually on the spectrum between good and superb. For someone who suspects they might prefer his folkier side, you can't go past Spooked. For Hitchcock in more of a (restrained) Beatleseque Pop mode, Jewels For Sophia may impress. For an incredible, more punky, or perhaps rather post-punky sound, the Soft Boys' Underwater Moonlight approaches perfection. But I suppose I'm most inclined to recommend the first album of his that I heard, the strange, genre-shifting psychedlic masterpiece, I Often Dream Of Trains. It certainly hooked me.
So yeah, in conclusion I'd say to most of my readers: If you trust I have a good sense of your taste of music, you probably won't be as into Robyn Hitchcock as I am. But just in case I'm underestimating you, it might be worth giving him a listen. Just because I happen to be listening to it at the moment, here's him in an unrepresentatively Rocky moment:
